10 Great Qualities of Film – Part 3

Bismillah ir Rahman ir Raheem.

Part 1

Part 2

All of this is still true. And still enormously frustrating. In the face of waves of rubbish from English-speaking film, I want to hold firm to the mast of my principles i.e. the things I really love. I won’t be afraid to not like something and I won’t be afraid to fall head over heels in love with something. And I won’t be afraid to have my hopes dashed against the rocks either.

(But, thank God, I freaking loved Star Wars.)

Anyway, here goes with the last two in the series (Part 1 and Part 2 here)

9. Women/POC/under-represented people winning. Stories with these people which are not just about them being under-represented.

I HATE HATE HATE movies which make the conflict in the movie all about someone’s gender/culture/disabilty etc. As if the only story worth telling is how their depressing, awful, lack of privilege is making their lives depressing and awful. And often how they ‘rise above’ their depressing awful lack of privilege to become more acceptable to the privileged, one way or another.

Those things are true. It kinda blows not being a white able-bodied straight dude.

But heck, we have trouble finding parking too. We have days where everything goes wrong. Where our kids or spouse or co-workers or parents drive us crazy. Those conflicts have nothing to do with our identity categories. Couldn’t we also perhaps be caught unwittingly at the center of a zombie apocalypse? Alien invasion? Earthquake? A hostage situation? (To be fair, I can think of a few action movies that have represented women and people of color a little better. Salt springs to mind. And Jack Reacher.). A parental conflict? A black-magic ritual gone hysterically wrong? You know – life?

Romantic comedies make me want to weep (not in a good way). It’s all beautiful white people in sun-kissed environments falling in love. POCs fall in love too. And sometimes – really! – the people they are in love with aren’t too concerned with their background at all.

Now I’m sure this has shut down the brains of a lot of romantic comedy writers out there now. What? An Indian woman could marry a non-Indian man and not have to contend with culture?

There are other obstacles to true love. Drug abuse? Political rivalry? Bad weather? It’s called creativity. It’s worth exercising.

No, really. My kingdom to see a Muslim woman fall in love with someone who really is not intimidated by her faith. And I’m pretty…oh, I don’t know…hardcore I guess, but honestly, I wouldn’t care too much if their relationship was ‘Sharia-compliant’ (my Muslim peeps know what I’m talking about). Just Muslims being humans. The way I know them to be. Not refugees, terrorists or accomplices or victims thereof. Gah.

No, there are no examples of this because there aren’t any that I know of that don’t come from Bollywood, Korea, etc.

10. Dueling philosophies.

These kinds of movies positively cook with tension and are amazing fun to watch.

I’ve yet to see a better example of this than Skyfall. The dueling philosophies in Skyfall are the old (M, Bond and the M15’s ways in general) against the new (Silva and his tech-as-terrorism tactics).

One of my favorite bits of set dressing that reflect this – this bit of dialogue occurs when Q first meets Bond:

Q: It always makes me feel a bit melancholy. Grand old war ship. being ignominiously hauled away to scrap… The inevitability of time, don’t you think? What do you see?
James Bond: A bloody big ship.

Q sees the end of something great. James Bond sees something much more blunt, much less beautiful, still pretty awesome.

And at the end of the movie, when Bond meets the new M – Ralph Fiennes’ character, Gareth Mallory – they have their first conversation in front of a painting of another bloody big ship, this one sailing into the horizon.

In other words – ‘screw the inevitability of time’.

I just loved it.

When every filmic choice made speaks to this one theme, the film coheres in an immensely satisfying way.

For the record, there are very few movies that I would watch over and over again that are NOT comedies. Of the straight-up action movies, there are only 3: World War Z (for reasons mentioned in earlier posts),  Jack Reacher (for a great character) and Skyfall.

It’s been more than a year since I did this blog post. And yet again my thoughts on the matter have changed.

You see, just a couple of months ago, I realized I want to write romantic comedies. Heaven knows why it didn’t occur to me before. I’m a hopeless romantic and I love making people laugh. I guess I was just confused by my affection for fantasy, sci-fi and the perversely funny.

I think this list still holds true generally, but I’m going to work on a different list for romantic comedy. Gives me an excuse to geek out and watch as many rom-coms as humanly possible.

So there’s that. Cheerio, darlings.

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